Here are some of musicians I’ve had the pleasure of presenting at Inside Lands and my original series, Bay Area House Concerts.
A Great Big World (Ian Axel and Chad King)
Adrianne (The Rescues)
Allie Moss (Ingrid Michaelson band)
Bobby Jo Valentine
Chris Von Sneidern
Dear John, Love Renée
Echoes + Artifacts
Elizabeth and The Catapult
Graham Patzner (Whiskerman)
Glen Phillips (Toad the Wet Sprocket)
Gregory Alan Isakov
Jeff Campbell (Static & Surrender)
Jeff Pehrson (Box Set)
Jim Brunberg (Box Set)
John Walter (Walty)
Kunkel & Harris
Kyler England (The Rescues)
Mark Davis (To Wake You)
Matt Langlois (Welcome Matt)
Misner & Smith
Molly Venter (Red Molly)
Monica Pasqual (Blame Sally)
Nick Shattell (not an Airplane)
Oona Garthwaite (Marston)
Peter Case (Plimsouls)
To Wake You
Uma Robin Mackey
Yours Truly, Michele
Here’s something fun that happened. A few weeks before the 2016 election, after a series of sleepless nights, I woke up before dawn with this song in my head.
Up until then, I’d been in a creative drought for years. But the tension of the campaign ended up inspiring me in unexpected ways. For the first time in 8 years, I’d finished a song I felt good about.
So I asked my friend Jeff Campbell—leader of Pine & Battery, Static & Surrender and one of my musical heroes—if he’d produce the track. He went a step further and ended up playing guitar, arranging vocals, and writing the intro and bridge for the song.
Hard to put into words how lucky I feel to have such a supportive friend. Big thanks also to the fantastically talented Gawain Mathews for capturing the Kings of Leon meets Pete Yorn sound I had in my head, and to Rick Munoz who rocked like a thunder god on the drums.
When you download my song “Fight or Flight” at drewpearce.bandcamp.com, 100% of my proceeds will be donated to UNHCR, the UN Refugee Agency who are helping refugee children and families receive life-saving relief and support.
I’m Drew Pearce, a singer-songwriter who loves hearing live music in listening rooms. As a former performer, I have great memories of places like the Owl & Monkey Cafe where small groups of people would gather to give their full attention to the music. When that venue closed, I kept looking for places that had the same kind of listening room vibe.
Back when I was a contributing writer for Acoustic Guitar magazine, I was assigned to write an article on house concerts. Hearing the hosts tell their stories inspired me to try hosting myself.
That was September 2001. I was living in a cottage in Healdsburg, far from my friends in the city. My birthday was two weeks after 9/11, and I didn’t feel much like celebrating. But I didn’t feel like hiding out at home alone either.
So I invited my musician friends up to my house for an impromptu music party. They brought their guitars, ukeleles, cellos, and djembes. We sat out on my porch and played under the stars. It was exactly what I need to clear away the pent-up dread in those strange, anxious days.
I still remember how cathartic the feeling of community was at that first “Porchapalooza.” It inspired me to keep trying to recreate that vibe on a regular basis. So I started devoting almost all of my free time to hosting house concerts.
Over the years, it’s given me a chance to meet a few of my musical heroes—Peter Case, Glen Phillips, Noe Venable, Gregory Alan Isakov, and many more.
I couldn’t believe my luck. Songwriters I’d heard on the radio for years were somehow suddenly playing in living rooms for small gatherings of my friends.
After trying to be a performing songwriter myself, stumbling into the role of house concert host felt like I’d finally figured out how to stay connected to music in a way that was meaningful and useful.
It felt like I’d found my proper place in the scene that I loved. Not on stage. But close enough to it that it felt like part of the action.
For me, the best moment at any house concert happens about halfway through the night when the banter begins. I don’t know whether it’s the wine kicking in or nervous energy wearing off, but you can sense when the artists and the audience realize there’s no stage separating them. They’re just people in a room together. It helps you hear the songs in a different way.
I think that was especially true whenever we presented songwriters “in the round.” Like those epic shows hosted by Heather Combs at Hotel Utah Saloon, you’d sometimes get to watch musicians who’d never met before sing harmonies on each other’s songs. Improvised collaboration. That’s something you don’t get to witness too much in a formal venue.
I missed the loose, chatty, party vibe of those first songwriters-in-the-round shows. I missed the camaraderie and community they created. And I missed feeling like I could do something to help shine a spotlight on the people I admired.
So I want to continue collaborating with my friends who want to co-host shows in their homes. I want to keep trying to gather people into those listening rooms. I want to organize acoustic music parties as often as possible.
If that’s your jam and you’d like to attend (or host a show at your place), follow our Facebook page and I’ll let you know when we’re gathering.